Literary Art at the Junction of Life and Death

A hybrid factual account / report from the editorial trenches, with some lessons for novelists deeply encoded

Benjamin Obler
9 min readApr 9, 2024

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Another bang-up job by A.I. Of course this is what novelists look like.

The call came to my landline as I was finishing my first cup of coffee of the morning. The CID showed the first name of one of my clients, with whom I had a Zoom scheduled later that morning. In 25 minutes, to be exact. So why was he calling now?

“William, hi.” (Names are changed to protect the honorable.)

“Hi, Ben. Sorry, I didn’t know if you got my text. I do want to have our discussion, but could you call me at nine? I’m going to be walking to the hospital, I’ve taken my mother off life-support.”

“Oh my god, William, I’m so sorry!” I knew that his mother was elderly and her health frail, but I didn’t realize things were at this point. William had been working on rewrites on his novel, and he’d also taken a vacation, so we’d last spoken three weeks prior.

He explained that it was inevitable, and it was all happening now, and a lot was up in the air, but he wanted to keep our appointment. “It’ll take my mind off of things.”

I called him back at nine. The agenda items, established via email some days ago, were a remarks from beta readers of his cozy mystery…

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Benjamin Obler

Instructor at @GothamWriters, NYC. Ed.-in-Chief of AspiringWriterSyndrome.com, where fiction is the focus and inspiration is the goal. #Javascotia @PenguinBooks